作者：(英)马克·德登（Mark Durden），英国作家，艺术家，南威尔士大学创意产业学院摄影系教授。著有《多萝西娅·兰格》（Dorothea Lange，2001，2012），《摄影研究的五十位重要学者》（Fifty Key Writers on Photography ,2012）。合著包括与大卫·坎贝尔(David Campbell)合作的《可变资本》（Variable Capital，2007），与肯·格兰特(Ken Grant)合作的《二次拍摄：基斯·梅得利文献中的肖像照》（Double Take: Portraits From the Keith Medley Archive，2013）等。此外，马克·德登还发表了大量关于摄影与当代艺术的文章。目前，他是艺术家小组“共同文化”(Common Culture)的成员。

Amazon.com Review One can only imagine the amazement felt by L.J.M. Daguerre, when, in the summer of 1839, he gazed upon the first photograph ever made. An image of the view from his Paris apartment of the bustling Boulevard du Temple, it was remarkably detailed yet mysteriously vacant, save for a single man in the distance who appeared to be having his boots polished; the rest...(展开全部)

这本《中国当代摄影艺术(精)》由顾铮编著，收入本书的摄影作品，首先考量的是有助于了解中国的社会生活与时代变迁。同时，这些作品也提供了解摄影这个视觉媒介在中国的近况的途径。因此，一些著名的作品也许并不是本书所要收录的对象，而能够反映当下的中国当代摄影现况的作品可能受到更优先的考虑。

Here at last is a concise critical history of photography which explains by what criteria we can judge one photograph to be better than another, what is special about the photographic recording of images, what in fact is the essence of photography both in itself and in relation to other visual art forms. This brilliant study provides a unique guide to the critical issues throug...(展开全部)

This feminist retelling of the history of photography puts women in the picture—and, more importantly, behind the camera! In ten thematic, chronological sections, Tate Modern curator Emma Lewis explores the vital role women artists have played in shaping the ever-evolving medium of photography. Lewis has compiled work from more than 200 different women and nonbinary photograph...(展开全部)

In this book, the authors explore and discuss the development of one of the most interesting and dynamic of photographic genres. Hailed as a landmark work when it was first published in 1994, Bystander is widely regarded by street photographers as the "bible" of street photography. It covers an incredible array of talent, from the unknowns of the late 19th century to the acknow...(展开全部)

With an introduction by Hubertus von Amelunxen Media philosopher Vilem Flusser proposed a revolutionary new way of thinking about photography. An analysis of the medium in terms of aesthetics, science and politics provided him with new ways of understanding both the cultural crises of the past and the new social forms nascent within them. Flusser showed how the transformation o...(展开全部)